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Showing posts sorted by relevance for query Idy Mae's Full Moon. Sort by date Show all posts
Showing posts sorted by relevance for query Idy Mae's Full Moon. Sort by date Show all posts

Wednesday, August 1, 2018

Coming Soon! Idy Mae's Full Moon and Other Stories and Songs

After much anticipation, I can finally say it: my new CD will be here by the end of next week!



I am so excited about this. It has been a long while since my last CD; my last producer moved away and it took me a while to find someone new to work with. I was so pleased to meet Terry of Lens Creek Studios; not only is he a native of the county where I live, he understood storytelling and has experience in recording spoken word pieces. Not all recording studios are familiar with the art of the spoken word, so I was thrilled to find someone who could work with me on a new recording.

Idy Mae's Full Moon combines stories from my husband's memories of growing up in a coal camp,  an Appalachian tale, and stories based around my life exoeriences, along with a couple traditional folk songs. It's fun, often funny, and was just a blast to record. The cover art is based on a photo I took here on our ridge of two venerable old oaks and a full moon just beginning to set as the sun rose, washing the sky with beautiful shades of color. Music for the CD was provided by the multi-talented old-time musician David O'Dell. It's the perfect accompaniment for this work.

Two more CDs are in the works, and I anticipate having them in late September. These next two will be the next in the series started with my last CD, Beyond the Grave, and will contain more West Virginia ghost stories and ballads. So be on the lookout for them in early Fall.


Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Thursday, August 30, 2018

Idy Mae's Full Moon: A Little Taste of One Story


I thought you might enjoy a small listen to a clip from one story on my new CD, Idy Mae's Full Moon.

My husband Larry leads into this story; the music is by West Virginia old-time musician Dr. David O'Dell on banjo and Lester McCumbers on fiddle.

The story tells one tale from Larry's adventures with his pet crow. Someday I will need to record his story about his pet groundhog Sally.

The cover photo for this clip is Larry and his twin sister Mary with their mother, Dollie Walls Holstein.

Enjoy!

(PS--you can order the CD by clicking the BUY NOW button on the right side of my blog. $15 and free shipping 😊)



Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Monday, March 13, 2017

Idy Mae’s Full Moon

(Re-publishing a story I originally posted in 2007. It's still one of my favorites.)

“Ready or not, here I come!”


Larry and Mary around 1953-54,
 a few years before this story took place
It was summer in the coal camps, and that meant lots of kids outside playing. The long summer evenings were especially good for playing hide-and-seek, and there weren’t many games Larry liked better. The woods, buildings and creeks around Olcott in southern Kanawha County were full of good places to hide—caves, abandoned mines, hollow trees, rock piles, under the company houses, in neighbor’s barns—and Larry knew them all.


The problem was, so did the other kids. Finding a new and clever place to hide was a real test of a kid’s ingenuity. Today we might think that some of these hiding places were extremely dangerous, and wonder at the parents who let their children play in such places, completely unsupervised. But this was a different time, a different way of life, and different people.



Danger was not an obstacle to these kids. They lived with that every time their dads went down the mines. Uncertainty and suspense were not new either. That was part of life, when mines closed, miners went out on strike, there was an accident in the mine, any of the other familiar calamities of a miner’s family life. Playing games like hide-and-seek in abandoned mines and old buildings was exciting and fun, and by the standards of those days, completely harmless.




But Larry was running out of new hiding places. And tonight he was tired. The company had replaced their old outhouse that day, and he and his brother and his father had dug the hole for the new building. It was hard work—the soil in that area was shallow and shaly, hard digging. But there was nothing for it, the old outhouse hole was almost full and the company men were coming with the new building. So they got to work.




The digging didn’t take too long, because his uncles stopped by to help. Getting a new outhouse was a community event—neighbors stopped by to check on progress, drink coffee and offer advice. The visiting slowed the progress but made the job more enjoyable, especially when Uncle Ot stopped by. Uncle Ot was always full of stories and jokes, and the occasion called forth some of his spicier material.




The hole was finally finished just before the company men arrived on the truck with the new outhouse. It wasn’t an entirely new building, actually—they carefully removed the outer walls of the outhouse and the roof, prying them loose from the venerable and well-used “box,” which was where the seat and the opening into the dirt hole was located. The walls and roof were attached to a new box, and the whole thing put in place over the newly dug hole with great seriousness and gravity. Uncle Ot christened the completed job with his beer bottle, and everyone went inside for supper, even the company men.




Not long after, Booge came looking for kids to play hide-and-seek. Larry and his twin sister Mary were always ready to play, as were the Clendenin kids next door. It didn’t take long for kids to gather from all around the neighborhood, and the game began. Larry took Mary’s hand and they set off to look for a good hiding place while Shirley counted to 100.


“Let’s hide in the washroom,” Mary whispered.


“In there?” Larry was scornful. “That’s a baby place to hide. They’ll look in there first thing. I got a better idea.”


“So what’s your big idea?” Mary asked. Larry always treated her ideas like she was dumb, and it made her mad.


“Shut up and come with me.” Larry moved quickly through the soft twilight air.


“Where are we going?” Mary didn’t like being told to shut up, and she was going to prove she didn’t have to listen to him. They were twins and she had just as much right to talk as he did.


“SHHHH!” Larry was making straight for the new outhouse, and it dawned on Mary that this might be his “better idea.”


“In there?” She almost said it out loud she was so surprised.


“SHHHH!” Larry warned again. “Listen, who will ever think of looking for us in here? We can get down under the box, on the edge of the hole.”


“Ewww!” Mary crinkled up her nose. “In the outhouse hole? I’m not going in there!”


“Aw, no one’s even used it yet. It’s clean as a whistle. And do you think Shirley will look there? Course she won’t, she’s a girl.”


Mary studied on this for a minute. It was a good idea, and Larry was right, although she wasn’t going to tell him so. Shirley would never look down there.


“Okay,” she agreed, still a little reluctant. “Help me get in there, Larry.”


Larry put one foot down inside the box and felt around with it for the edge of the hole. “Okay, I’m going in,” he said. He braced himself by placing one hand on each side of the “seat” hole and put his other foot down into the hole. Getting his foot on firm ground, he lowered himself carefully into the seat and got comfortable. Mary followed his example, and perched on the other side of the hole under the seat.


They waited. They heard Shirley counting “97-98-99-100! Here I come, ready or not.” They didn’t move a muscle, even though it was hard not to giggle when they heard Shirley passing right outside the door of the outhouse. They heard her finding other kids one after another. “One, two, three on you, I found you,” she’d sing out, and they heard the found kid groan and come out of hiding.


Shirley came back to the outhouse and stood outside it for a moment. Larry and Mary held their breath. Shirley opened the door, put one foot inside. Then they heard the door close and Shirley moved on to look elsewhere.


Things were going very well. Shirley found everyone except Larry and Mary, and now the other kids were helping her hunt. It was perfect.

They didn’t figure on Idy Mae. She’d come over to visit their mother, and stayed to drink coffee on the porch. One cup led to another and another, and soon Idy Mae said she thought she might go “inspect” the new outhouse. She lumbered off the porch toward the new building, oblivious of the massive manhunt being conducted by the children out in the yard.


Larry and Mary were still as mice when the cat is near in their perfect hiding place. They listened to the kids calling their names and grinned at each other. This was better than the best game of hiding seek they could remember, and they were without a doubt the winners in this game.




The door creaked open and heavy footsteps sounded over their heads. Had they been found? Had Shirley figured out where they were? How could she know where they were? The footsteps stopped and they heard heavy breathing and the sound of clothing rustling.




And that was when Mary realized what was happening just over their heads. The two kids looked up as Idy Mae was settling down. Larry saw more of Idy Mae than he had ever seen in his life, a full moon that was descending with remarkable speed.




“Idy Mae! Idy Mae! Don’t!” Mary screamed.




Idy Mae Estep moved faster than she had in the past 50 years. Her big face filled the opening in the box as the two children tried to scramble out from under.




“What in tarnation are you two young ‘uns doing down there?” she thundered.


It took a while to explain, and while they were trying Shirley appeared in the door.



“One, two, three on you, you’re it!” she cried.



Larry and Mary a couple years ago--I think she's trying to throttle him, and perhaps with good reason!

Saturday, August 11, 2018

It's Here! New CD

I am so excited to announce the release of my latest CD, Idy Mae's Full Moon and Other Stories and Songs.



The CD has stories from my husband's childhood in a West Virginia coal camp along with tall tales and songs. It's guaranteed entertainment for the whole family.

You may buy directly from me, or wait a few days and it will also be available on CDBaby and Amazon. Price is $15.00 (with free shipping if you buy from me!) Just click the Paypal link on the right side of this blog, or email me at susannaholstein@yahoo.com and I can send you particulars.

Another CD of ghost stories is in the works and should be ready for release in about 6 weeks, so stay tuned!

Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Thursday, October 22, 2009

West Virginia Storytelling Festival

My internet has been having all kinds of issues lately, so posting is not so easy as it once once. Tonight, I won't be able to post any of the photos from the festival. Which is a shame since there were some good ones. Ah well. Rural life has its challenges and when we moved here there was no such thing as internet anyway. Who knew it would ever be an issue?

BUT the festival was a ton of fun. Last year the economy forced the festival to be discontinued. This year it came back on a much smaller scale. For the people at Jackson's Mill who plan and put it on, it's a better arrangement. For the storytellers, the festival was well planned and well run. I didn't have to worry about anything except telling my stories. That is awesome.

We had about 900 students over two days. Each day the schools were divided between two buildings, with two storytellers assigned to each building. We told for 30 minutes each, with a ten-minute built-in break. Then it was lunch time. The teachers led their students out onto the grounds for lunch. It was so restful to see children under trees or out on the huge lawns eating together. There was enough time for them to run and play too, which they did with great energy. Then the tellers swapped buildings and repeated the morning schedule. The students remained at the same building all day so they heard all four tellers before they left.

In past years sometimes there would be 1500 students in a day, and I can remember telling to about 1000 at one time in the barn. We would have 10-12 storytellers rotating between buildings and the children rotated too so it was a complex schedule. This simplified version allowed for fewer staff to be involved so costs were kept down.

My telling partner for the two days was Adam Booth, a young (to me anyway!) storyteller from Shepherdstown, West Virginia. Adam brought his unique background as the son of a Jewish mother and Christian father to his stories, and had the kids rolling with laughter at the problems he encountered. Since many children in West Virginia have never met someone from the Jewish tradition, his stories allowed them to learn a few basics about Judaism--such as what a rabbi is, and about not eating bacon and cheese on meat--while being highly entertained by stories of his escapades in Huntington, WV. Adam also told a traditional folktale, a version of the Three Wishes.

I decided to give a new story a try. This isn't a totally new story--some of you may remember reading the story of Idy Mae's Full Moon on this blog a while back. I also told a story about Larry's pet crow once or twice, but neither of these stories seemed to me to have "enough." Enough what? That's hard to answer; enough depth, perhaps? The one was funny, the other interesting, but there was nothing an audience member might feel connected to and remember afterwards. They both needed more of what it is that makes a good story a great story.

What I did was combine the two. I started with a description of the coal camp where my husband grew up, then moved to the coal mining items I had with me and explained what they were. From there to Larry's dad and how they got Jimmy the Crow. And from there to building a new outhouse and so one. The two stories wove together beautifully to create one very good tale. I had to take out some things and added others. In the end I had a story that will become a standard part of my repertoire.

So I came home a happy woman. Adam was a great teller to work with, professional, funny, flexible and dependable. Dave Parker, the festival organizer, and his staff looked after us very well. I think the festival has new, stronger legs and will continue to grow. All of this makes me one happy woman.

Sunday, April 5, 2009

The Mountain State Storytelling Institute

Two days of storytelling and storytelling friends. What a great recipe for a good time. Here are a few photos to share the Institute with you.

Keynote speaker Connie Regan-Blake inspired us with stories about Appalachian storyteller Ray Hicks, whose legacy lives on through those who knew him well. Connie had us laughing and crying as she talked about visiting the Hicks' remote m0untain home, about Ray's "all-day talker" personality and the easy flow of stories into his conversations, his healing abilities, and the impact this man had on her storytelling career.

Connie began telling stories for a living in 1971, when she and her first cousin Barbara Freeman took off on a yellow pickup truck with a camper to be storytellers. They didn't know where they were going or where they would find work, but their adventure lasted for years, and today Connie Regan-Blake is one of our most respected storytellers, and has traveled to many places in this world--although nowadays she flies!


Storytellers Jason Burns and Karen Vuranch get a hug in during the activities. Karen came with Colleen Anderson of MotherWit Design and Julie Adams, a fine singer and member of West Virginia Public Radio's Mountain Stage band to perform their storytelling and music show called Potluck. It was a fine performance by all three with music both comic and nostalgic and storytelling by Karen Vuranch that ranks as one of the best performances I have seen from any storyteller anywhere. It was taste treat for the senses.

Jo Ann Dadisman has a friend looking over her shoulder. The friend is the Braxton County Monster, one of West Virginia's most unusual legends or occurrences, depending on how you view the incident.


Folklorist Noel Tenney talks with Michael Kline, a noted oral historian and musician whose work has won many awards. I attended sessions by both Tenney and Kline and his wife Carrie Nobel Kline. Collecting family and community stories was the focus of both presentations, and the work of these people has saved much local legend and history from being lost as older generations pass on.




Besides her wide array of storytelling productions, Connie Regan-Blake sells beads for Bead for Life, which you can see in the photo above. Of course I bought a string of beautiful turquoise beads--both because they were beautiful and because this good cause provides medical and other assistance for the Ugandan women who make the jewelry from recycled paper. If you click in the link above, you will see a necklace like the one I bought in the front center of the website's photo.

I presented a new workshop on blogging Saturday afternoon. It was a small but dedicated group that attended. I had CD's of a powerpoint presentation for each attendee along with a handout of the slides because I never trust computers at conferences to really work. We managed to get enough functioning so that each person had a laptop to use.

It seemed a bit of an oxymoron to have someone called granny presenting on blogging! But at the end of the two-hour session, those who attended either had already started a blog and were posting, or knew all about the main blog sites and were ready to get started when they went home. Jason attended although he already has an excellent blog and his insights were an excellent addition to the discussion. I covered topics like deciding what your blog is to, who you want to target, what to do and not do on your blog, blog etiquette, set-up options and more. I think it was a useful session, and I would like to do it again sometime. I am certainly not a techie, but perhaps the viewpoint of someone like me is valuable to those who feel intimidated by writing online.



At the end of the Friday night concert, the other tellers and I were onstage for a final song and bow. Tellers were Rich Knoblich, me, Kevin Cordi, Ilene Evans and Connie Regan-Blake. What did I tell? Well, I started out by linking my presentation to Connie Regan-Blake's story about her mother going to pick out a coffin (true story!). Her story was one that made you laugh and cry at the same time. It reminded me of the time I was at the auction and they had a purple coffin as one of the lots for sale. (You can read about that on my blog by clicking here). Which has forever stayed in my mind--I mean, was it a used coffin? or a scratch-and-dent model (it did have a dent).

Anyway--so I told about that coffin, then segued to talking a little about the area where the Institute was being held, only a few miles from some of our states worst mine disasters at Mannington and Monongah. That led to the ballad by Jean Ritchie called West Virginia Mine Disaster. From there I talked a little about my husband's family and their connection to coal, and from there to my story called Idy Mae's Full Moon. An outhouse story, actually, and pretty funny.

The mine disaster song is not a happy one, as you can imagine, so it was important to me to bring the audience back to a happy place at the end of my set. By combining the song with family history and a funny family story, I was able to provide a range of emotional experiences and a brief multi-faceted perspective of the life in coal-mining communities. Not all good, not all bad, but full of the complexities of life for all of us.

The event ended with a presentation by the student storytelling troupe at Fairmont called The Appalachian Raconteurs. I am so glad to know this group was formed because we need more young people in storytelling. Knowing that the torch will be passed to capable hands makes me very happy and secure in knowing that Appalachian storytelling will continue to be part of our heritage for at least a few more generations.

I am looking forward to next year's Institute. The professional workshops, rich storytelling, the opportunity to interact with college students who are interested in storytelling, networking with friends and being at beautiful Fairmont State University makes a perfect recipe for learning and growing.
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