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Showing posts with label fairies. Show all posts
Showing posts with label fairies. Show all posts

Friday, February 15, 2013

Fairy Dreaming


Faeries, come take me out of this dull world,

For I would ride with you upon the wind,

Run on the top of the dishevelled tide,


And dance upon the mountains like a flame.






― poem excerpted from W.B. YeatsThe Land of Heart's Desire


Yeats' words and Arthur Rackham's art went so well together I couldn't resist combining them--although the last picture of the fairy ring is by Richard Doyle.

To read some of my past posts about fairies, click here. It is the time of year when we begin to think of little people, magical beings, fairy rings and the like, isn't it? Or maybe I'm rushing the season a bit, but on this bleak day a bit of fairy magic does a lot to lift the clouds and the spirits.



Copyright 2012 Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Wednesday, June 22, 2011

Build a Fairy House

At our family reunion in May, I showed some of my great-nieces and nephews how to make a fairy house. They loved it--it's not difficult to do, and the folklore says that if you make the fairies happy in your garden, they will reward you with beautiful flowers and vegetables. So why not make a fairy house--just in case you have some homeless fairies in your garden?

Here's the one we built:


And here you can see how tiny it is:

We used scraps of bark, twigs, stones, bits of moss, acorns, and other woodland debris to construct the house. The we moved a few wildflowers (violets, bluets, and cinquefoil) to pretty it up, and it was done.

Afterwards the kids made several more, I heard, but I didn't see them because they were in secret places.

As for how to see a fairy, here is some advice, as posted on the Herb Companion:

To enable one to see the Fairies: A pint of sallet oyle and put it into a vial glasse; and first wash it with rose-water and marygolde water; the flowers to be gathered towards the east. Wash it till the oyle becomes white, then put into the glasse, and then put thereto the budds of hollyhocke, the flowers of marygolde, the flowers or toppes of wild thyme, the budds of young hazle, and the thyme must be gathered neare the side of a hill where fairies use to be; and take the grasse of a fairy throne; then all these put into the oyle in the glasse and sette it to dissolve three dayes in the sunne and then keep it for thy use. -from A Garden of Herbs, by Eleanour Sinclair Rohde


And from Eleanour's book (published on the Gutenberg Project's website):

And what of the fairies in those gardens? We live in such a hurrying, material age that even in our gardens we seem to have forgotten the fairies, who surely have the first claim on them. Does not every child know that fairies love thyme and foxgloves and the lavish warm scent of the old cabbage rose? Surely the fairies thronged to those old herb-gardens as to a familiar haunt. Can you not see them dancing in the twilight?
Ready to make your fairy house now? I think I'll mosey out into the woods and see what I can find to make one for my garden.

Many people make these little houses now, and some get really elaborate. If you'd like to see others, here are a few links:

Simple, family-friendly instructions for building a fairy house, by Family Fun magazine.

Some pretty fancy ones on this website.


There are also people creating entire fairy gardens:


How to create a fairy garden--instructions!

A fairy garden from the Herb Companion website.

And of course, you can buy kits, fairy furniture and just about anything else you like!




Thursday, March 17, 2011

An Irish Fairy Tale

THE FAIRIES' DANCING-PLACE
Richard Doyle's Dancing Fairies


Lanty M'Clusky had married a wife, and, of course, it was necessary to have a house in which to keep her. Now, Lanty had taken a bit of a farm, about six acres; but as there was no house on it, he resolved to build one; and that it might be as comfortable as possible, he selected for the site of it one of those beautiful green circles that are supposed to be the play-ground of the fairies. Lanty was warned against this; but as he was a headstrong man, and not much given to fear, he said he would not change such a pleasant situation for his house to oblige all the fairies in Europe.

He accordingly proceeded with the building, which he finished off very neatly; and, as it is usual on these occasions to give one's neighbours and friends a house-warming, so, in compliance with this good and pleasant old custom, Lanty having brought home the wife in the course of the day, got a fiddler and a lot of whisky, and gave those who had come to see him a dance in the evening.

This was all very well, and the fun and hilarity were proceeding briskly, when a noise was heard after night had set in, like a crushing and straining of ribs and rafters on the top of the house. The folks assembled all listened, and, without doubt, there was nothing heard but crushing, and heaving, and pushing, and groaning, and panting, as if a thousand little men were engaged in pulling down the roof.

'Come,' said a voice which spoke in a tone of command, 'work hard: you know we must have Lanty's house down before midnight.'

This was an unwelcome piece of intelligence to Lanty, who, finding that his enemies were such as he could not cope with, walked out, and addressed them as follows:

'Gintlemen, I humbly ax yer pardon for buildin' on any place belongin' to you; but if you'll have the civilitude to let me alone this night, I'll begin to pull down and remove the house to-morrow morning.'

This was followed by a noise like the clapping of a thousand tiny little hands, and a shout of 'Bravo, Lanty! build half-way between the two White-thorns above the boreen'; and after another hearty little shout of exultation, there was a brisk rushing noise, and they were heard no more.
The story, however, does not end here; for Lanty, when digging the foundation of his new house, found the full of a kam of gold: so that in leaving to the fairies their play-ground, he became a richer man than ever he otherwise would have been, had he never come in contact with them at all.

By William Carleton, from William Butler Yeats' book, Irish Fairy Tales

I've blogged about fairy rings before here and here and here. I happened on this story recently and thought it was a perfect tale for St. Patrick's Day.

Tuesday, December 7, 2010

The Christmas Fairy of Strasburg



I've been looking for some different Christmas folktales to share, and found this one recently. I like it for the combination of folklore--fairies and the origin of the Christmas tree. There are lots of legends about why we have the trees, but this one was new to me. 


The Christmas Fairy of Strasburg


A German Folktale by By J. Stirling Coyne
(adapted by Frances Jenkins Olcott and a little bit by me)
Image from German Christmas Traditions: visit them for recipes, games, customs and more)

Once long ago, there lived near Strasburg, on the river Rhine, a young and handsome count whose name was Otto. As the years flew by he remained unwed, and never so much as cast a glance at the fair maidens of the country round. For this reason people began to call him "Stone-Heart."

One Christmas Eve Count Otto ordered that a great hunt should take place in the forest surrounding his castle. He and his guests and servants rode forth, and the chase became more and more exciting. It led through thickets and forest, until at length Count Otto found himself separated from his companions.


He rode on alone until he came to a spring of clear water, known to the people around as the "Fairy Well." Here Count Otto dismounted. He bent over the spring and began to wash his hands in the sparkling water but to his wonder he found that though the weather was cold and frosty, the water was quite warm. A glow of joy passed through his veins, and as he plunged his hands deeper he thought that his right hand was grabbed by another hand that was soft and small. It gently slipped from his finger the gold ring he always wore. And, lo! when he drew out his hand, the gold ring was gone.

Full of wonder at this mysterious event, the count returned to his castle, resolving in his mind that the very next day he would have the Fairy Well emptied by his servants.

He retired to his room and tried to sleep but the strangeness of his adventure kept him awake. Suddenly he heard the hoarse baying of the watch-hounds in the courtyard, and then the creaking of the drawbridge, as though it were being lowered. Then came to his ear the patter of many small feet on the stone staircase, and next he heard indistinctly the sound of light footsteps in the chamber adjoining his own.

Count Otto sprang from his couch. As he did there sounded a strain of delicious music and the door of his chamber was flung open. Hurrying into the next room, he found himself in the midst of numberless Fairy beings, clad in bright and sparkling robes. They paid no attention to him but began to dance, and laugh and sing to the sound of mysterious music.

In the center of the apartment stood a splendid Christmas Tree, the first ever seen in that country. Instead of toys and candles there hung on its lighted boughs diamond stars, pearl necklaces, bracelets of gold ornamented with colored jewels, aigrettes of rubies and sapphires, silken belts embroidered with Oriental pearls and daggers mounted in gold and studded with the rarest gems. The whole tree swayed, sparkled, and glittered in the radiance of its many lights.

Count Otto stood speechless. Suddenly the Fairies stopped dancing and fell back to make room for a lady of dazzling beauty who came slowly toward him.

She wore on her raven-black tresses a golden diadem set with jewels. Her hair flowed down upon a robe of rosy satin and creamy velvet. She stretched out two small, white hands to the count and addressed him in sweet, alluring tones:

"Dear Count Otto," said she, "I come to return your Christmas visit. I am Ernestine, the Queen of the Fairies. I bring you something you lost in the Fairy Well."

As she spoke she drew from her bosom a golden casket, set with diamonds, and placed it in his hands. He opened it eagerly and found within his lost gold ring.


Carried away by the wonder of it all, and overcome by an irresistible impulse, the count pressed the Fairy Ernestine to his heart, while she, holding him by the hand, drew him into the magic mazes of the dance. The mysterious music floated through the room, and the rest of that Fairy company circled and whirled around the Fairy Queen and Count Otto; then gradually dissolved into a mist of many colors, leaving the count and his beautiful guest alone.

Then the young man, forgetting all his former coldness toward the maidens of the country round about, fell on his knees before the Fairy and besought her to become his bride. At last she consented on the condition that he should never speak the word "death" in her presence.

The next day the wedding of Count Otto and Ernestine, Queen of the Fairies, was celebrated with great pomp and magnificence, and the two lived happily for many years.

Now it happened one day that the count and his Fairy wife were to hunt in the forest around the castle. The horses were saddled and bridled, and standing at the door, the company waited, and the count paced the hall in great impatience; but still the Fairy Ernestine tarried long in her chamber. At length she appeared at the door of the hall, and the count addressed her in anger.

"You have kept us waiting so long," he cried, "that you would make a good messenger to send for Death!"

Scarcely had he spoken the forbidden and fatal word, when the Fairy, uttering a wild cry, vanished from his sight. Count Otto, overwhelmed with grief and remorse, searched the castle and the Fairy Well; no trace could he find of his beautiful, lost wife but the imprint of her delicate hand set in the stone arch above the castle gate.

Years passed by, and the Fairy Ernestine did not return. The count continued to grieve.

Every Christmas Eve he set up a lighted tree in the room where he had first met the Fairy, hoping in vain that she would return to him.

Time passed and the count died. The castle fell into ruins. But to this day may be seen above the massive gate, deeply sunken in the stone arch, the impress of a small and delicate hand.

And such, say the good folk of Strasburg, was the origin of the Christmas Tree.
 
Images 2 and 3 above are the work of Arthur Rackham. I was fortunate enough to buy a collection of his work at the used book sale, and I am enthralled by his fairy art. So I used th work of an Englishman to illustrate this German tale that was written by an Irishman. A truly multicultural Christmas offering. Amazon has some copies of Rackham's books listed, and I highly recommend having a look at them. His work is stunning.

Sunday, November 21, 2010

A Book of Lullabies

I just unearthed another of my finds at the big used book sale in October in my study today (I am slowly getting the piles sorted and back in order now that the whirlwind of storytelling in October and November is slowing down).

 The Book of Lullabies was published in 1925. Compiled by Elva S. Smith, the book includes mostly British lullaby poems and songs but there are a few from other countries and even a few American verses. These old books have such beautiful covers. This one is gray with gilt letters and pink flowers, with a 1920's mother holding her baby on the cover. Just lovely to look at, and nice to hold too. My copy is not in perfect condition, but it's readable and if you're into shabby chic, it's perfect.

I was browsing through the book this evening, looking to see if there were any familiar songs in it. There was only one, Wee Willie Winkie, and it had many verses I've never heard before. I don't know many lullabies, actually: the old standard, Rock-a-Bye Baby, of course, and All the Pretty Little Horses, and Bye Baby Bunting pretty much sum up my lullaby knowledge.

Many of the included songs in this book are religious; there is a whole chapter of lullabies to the Christ child, for example. Many are saccharine-sweet by today's standards, and others use racial words that we consider taboo today. The language and sentiments date the entries, and yet that is what makes the book interesting to me---did people really use a wider vocabulary than we do today? If the books published pre-1940 are any indication it would seem so.

There is one whole section that makes the book, in my view: fairy lullabies, like this Irish one:

 The Fairy Nurse

Sweet babe, a golden cradle holds thee,
Ans soft the snow-white fleece enfolds thee;
In airy bower I'll watch they sleeping,
Where branching boughs to the winds are sweeping.
Shyheen sho, lulo lo!





And this Russian fairy lullabye:

Cradle-Song




Lullaby, my pretty baby,
Close thy eyes so bright,
While the moon pours o'er your cradle
all her silvery light;
I will tell thee tales of fairies,
Lull thee with a song,
While the moon, heaven's lonely wand'rer,
Creeps the sky along.

Doesn't this poem etch a picture in your mind? It does mine. And with tonight being a blue moon, it's rather timely.




I wish the melodies, if there were any, were included with the rhymes, but even without them, this is an interesting book to browse on a cold November night. Well worth my $1.00 investment, just for those two little lullabies above.

Enjoy the moon tonight. I hope the clouds stay away in your area so you can see this blue moon.

Wednesday, August 11, 2010

Fairy Rings: Rhys at the Fairy-Dance


To follow on yesterday's post, here is a fairy ring story from:

The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries.

by Thomas Keightley, published in1870
 
RHYS AT THE FAIRY-DANCE


Rhys and Llewellyn, two farmer's servants, who had been all day carrying lime for their master, were driving in the twilight their mountain ponies before them, returning home from their work. On reaching a little plain, Rhys called to his companion to stop and listen to the music, saying it was a tune to which he had danced a hundred times, and must go and have a dance now. He bade him go on with the horses, and he would soon overtake him.
 
Llewellyn could hear nothing, and began to remonstrate; but away sprang Rhys, and he called after him in vain. He went home, put up the ponies, ate his supper, and went to bed, thinking that Rhys had only made a pretext for going to the ale-house. But when morning came, and still no sign of Rhys, he told his master what had occurred.
 
Search was then made everywhere, but no Rhys could be found. Suspicion now fell upon Llewellyn of having murdered him, and he was thrown into prison, though there was no evidence against him. A farmer, however, skilled in fairy-matters, having an idea of how things might have been, proposed that himself and some others should accompany Llewellyn to the place where he parted with Rhys. On coming to it, they found it green as the mountain ash.
 
"Hush!" cried Llewellyn, "I hear music, I hear sweet harps."
 
Arthur Rackham (1867-1939)

We all listened, says the narrator, for I was one of them, but could hear nothing.
 
"Put your foot on mine, David," said he to me (his own foot was at the time on the outward edge of the fairy-ring).
 


Richard Doyle (1824-1883)
 
I did so, and so did we all, one after another, and then we beard the sound of many harps, and saw within a circle, about twenty feet across, great numbers of little people, of the size of children of three or four years old, dancing round and round. Among them we saw Rhys, and Llewellyn catching him by the smock-frock, as he came by him, pulled him out of the circle.
 
"Where are the horses? where are the horses?" cried he.
 
"Horses, indeed!" said Llewellyn.
 
Rhys urged him to go home, and let him finish his dance, in which he averred he had not been engaged more than five minutes. It was by main force they took him from the place. He still asserted he had been only five minutes away, and could give no account of the people he had been with. He became melancholy, took to his bed, and soon after died.
 
"The morning after," says the narrator, "we went to look at the place, and we found the edge of the ring quite red, as if trodden down, and I could see the marks of little heels, about the size of my thumb-nail."
 
For more about the Welsh fairy folklore and particularly the belief in fairy rings, see this chapter  in British Goblins: Welsh Folk-lore, Fairy Mythology, Legends and Traditions, by Wirt Sikes, which was published in 1880.
 
Here are links to both books, and another one you might like, on Amazon:

Tuesday, August 10, 2010

Fairy Ring


Little Feet

Where in sleep we dream of beauty
fields of little feet did play
dancing to the faerie fiddle
in fields of yellow clay

dressed in brown and moss-green velvet
shod in tulip poplar flow’rs
they dance to midnight’s caller
in the forest’s hidden bowers

when the morning sun arises
shines on dew its diamond glance
a ring of grass grows deep and lovely
where the little people danced

c Susanna Holstein 2008


"Fairy roses, fairy rings, turn out sometimes troublesome things." William Makepeace Thackeray

I was riding with my daughter-in-law one day in mid-July as we traveled from one storytelling performance to another, when I noticed something on a side street.

It was in the yard of one of the houses. I yelled, "Fairy ring! Turn around!"

My daughter-in-law put on the brakes and obligingly turned the truck around. Sure enough, there in the grass was a beautiful ring of white mushrooms. I jumped out for a closer look, and noticed a man on the porch of the home next to the ring.

"Do you mind if I take a picture of the mushrooms?" I asked.

"Not at all," he said, "but that's actually my neighbor's yard."

The door of the house behind the mushrooms opened. "Hey there." A guy standing in the open door grinned at me.

"Hey," I replied. "This is a perfect fairy ring. Would you mind if I took a picture?"


"Go right ahead," he said. "Cool, isn't it? Used to be a big oak there, but it died. These mushrooms come up in the same spot every year."

Why are rings of mushrooms called fairy rings? According to my English mother, the mushrooms sprout on the places where the fairies danced the night before. Scientists, of course, have a different answer. I prefer my mother's explanation.

As to what kind of mushrooms these were, that's open to debate. I think they may have been Chlorophyllum molybdites but I can't be sure since I did not look closely to identify them. I was just enchanted by the ring.

My daughter-in-law asked me later how I saw the ring from the highway, since it was a couple houses away on a side street. I really don't know. Call it fairy magic.

If you see a fairy ring
In a field of grass,
Very lightly step around,
Tiptoe as you pass;
Last night fairies frolicked there,
And they're sleeping somewhere near.
Author unknown.


For more fairy ring stories, visit Fairy Ring Folklore.

Wikipedia offers an extensive, cited article on fairy ring lore; according to the article, it is the Scandinavian and Celtic cultures that believe the rings to be made by fairies or elves; other cultures consider the rings bad luck, and pretty much every one agrees it's not good for humans to enter the rings, or even worse, destroy them (so don't even think about getting rid of them to protect your green lawn!).

And then, you can always look back to a post I wrote a while back about fairy rings and fairy lore, including a nice booklist.

"There never was a merry world since the fairies left off dancing. . ." John Seldon

Have you ever seen a fairy ring, or heard a story about their formation? I wonder if there are other tales attached to this intriguing phenomenon.

Saturday, January 24, 2009

The Little Glass Slipper: A German Fairy Tale


A story from the German island of Rugen (also called Rugia), in the Baltic Sea north of Germany. Rugen is the largest of the German islands.


This story is from the book Fairy Mythology by Thomas Keightley. The book is available as e-text on the Sacred Texts website.



From the painting "The Chalk Cliffs on Rugen" by artist David Friedrich (1774-1840)
THE LITTLE GLASS SLIPPER
A PEASANT, named John Wilde, who lived in Rodenkirchen, found one time a glass shoe on one of the hills where the little people used to dance. He clapped it instantly into his pocket and ran away with it, keeping his hand as close on his pocket as if he had a dove in it; for he knew that he had found a treasure which the underground people must redeem at any price.

Others say that John Wilde lay in ambush one night for the underground people, and gained an opportunity of pulling off one of their shoes, by stretching himself there with a brandy-bottle beside him, and acting like one that was dead drunk; for he was a very cunning man, not over scrupulous in his morals, and had taken in many a one by his craftiness, and, on this account, his name was in no good repute among his neighbours, who, to say the truth, were willing to have as little to do with him as possible. Many hold, too, that he was acquainted with forbidden arts, and used to carry on an intercourse with the fiends and old women that raised storms, and such like.

However, be this as it may, when John had gotten the shoe, he lost no time in letting the folk that dwell under the ground know that he had it. So at midnight he went to the Nine-hills, and cried with all his might, "John Wilde, of Rodenkirchen, has got a beautiful glass shoe. Who will buy it? Who will buy it?" For he knew that the little one who had lost the shoe must go barefoot till he got it again, and that is no trifle, for the little people have generally to walk upon very hard and stony ground.

John's advertisement was speedily attended to. The little fellow who had lost the shoe made no delay in setting about redeeming it. The first free day he got, that he might come out into the daylight, he came as a respectable merchant, and knocked at John Wilde's door, and asked if John had not a glass shoe to sell? "For," says he, "they are an article now in great demand, and are sought for in every market." John replied that it was true he had a very little little, nice, pretty little glass shoe, but it was so small that even a Dwarf's foot would be squeezed in it; and that God Almighty must make people on purpose for it before it could be of any use; but that, for all that, it was an extraordinary shoe, and, a valuable shoe, and a dear shoe, and it was not every merchant that could afford to pay for it.

The merchant asked to see it, and when be had examined it, "Glass shoes," said he, "are not by any means such rare articles, my good friend, as you think here in Rodenkirchen, because you do not happen to go much into the world. However," said he, after hemming a little, "I will give you a good price for it, because I happen to have the very fellow of it." And he bid the countryman a thousand dollars for it.

"A thousand dollars are money, my father used to say when he drove fat oxen to market," replied John Wilde, in' a mocking tone; "but it will not leave my hands for that shabby price; and, for my own part, it may ornament the foot of my daughter's doll. Harkye, friend: I have heard a sort of little song sung about the glass shoe, and it is not for a parcel of dirt that it will go out of my hands. Tell me now, my good fellow, should you happen to know the knack of it, that in every furrow I make when I am ploughing I should find a ducat? If not, the shoe is still mine, and you may inquire for glass shoes at those other markets."

The merchant made still a great many attempts, and twisted and turned in every direction to get the shoe; but when he found the farmer inflexible, be agreed to what John desired, and swore to the performance of it. Cunning John believed him, and gave him up the glass shoe, for he knew right well with whom he had to do. So the business being ended, away went the merchant with his glass shoe.

Without a moment's delay, John repaired to his stable, got ready his horses and his plough, and drove out to the field. He selected a piece of ground where he would have the shortest turns possible, and began to plough. Hardly had the plough turned up the first sod, when up sprang a ducat out of the ground, and it was the same with every fresh furrow he made. There was now no end of his ploughing, and John Wilde soon bought eight new horses, and put them into the stable to the eight he already had--and their mangers were never without plenty of oats in them--that he might be every two hours to yoke two fresh horses, and so be enabled to drive them the faster.

John was now insatiable in ploughing; every morning he went out before sunrise, and many a time he ploughed on till after midnight. Summer and winter it was plough, plough with him evermore, except when the ground was frozen as hard as a stone. But he always ploughed by himself, and never suffered any one to go out with him, or to come to him when he was at work, for John understood too well the nature of his crop to let people see what it was he ploughed so constantly for.

But it fared worse with himself than his horses, who ate good oats and were regularly changed and relieved, while he grew pale and meagre by reason of his continual working and toiling. His wife and children had no longer any comfort of him; he never went to the alehouse or the club; he withdrew from every one, and scarcely ever spoke a single word, but went about silent and wrapped up in his own thoughts. All the day long he toiled for his ducats, and at night he had to count them and to plan and meditate how he might find out a still swifter kind of plough.

His wife and neighbours lamented over his strange conduct, his dullness and melancholy, and began to think that he was grown foolish. Everybody pitied his wife and children, for they imagined that the numerous horses he kept in his stable, and the preposterous mode of agriculture that he pursued, with his unnecessary and superfluous ploughing, must soon leave him without house or land.

But their anticipations were not fulfilled. True it is, the poor man never enjoyed a happy or contented hour since he began to plough the ducats up out of the ground. The old saying held good in his case, that he who gives himself up to the pursuit of gold is half way in the claws of the evil one. Flesh and blood cannot bear perpetual labour, and John Wilde did not long hold out against this running through the furrows day and night. He got through the first spring, but one day in the second, he dropped down at the tail of the plough like an exhausted November fly. Out of the pure thirst after gold he was wasted away and dried up to nothing; whereas he had been a very strong and hearty man the day the shoe of the little underground man fell into his hands.

His wife, however, found after him a considerable treasure, two great nailed up chests full of good new ducats, and his sons purchased large estates for themselves, and became lords and noblemen. But what good did all that do poor John Wilde?
http://sacred-texts.com/neu/celt/tfm/tfm067.htm

Monday, January 28, 2008

Into the Fairy Ring

The Road to Fairyland
by
Ernest Thompson Seton

Do you seek the road to Fairyland
I'll tell; it's easy, quite.
Wait till a yellow moon gets up
O'er purple seas by night,
And gilds a shining pathway
That is sparkling diamond bright
Then, if no evil power be nigh
To thwart you, out of spite,
And if you know the very words
To cast a spell of might,
You get upon a thistledown,
And, if the breeze is right,
You sail away to Fairyland
Along this track of light.

It's getting close to time to think about the wee folk. March isn't far off, and then as the flowers start to bloom there likely will be fairies hiding under petals.





In our meadow, there are rings of dark green that people around here call "fairy rings." These are the places where the fairyfolk dance at midnight, or so they say. Their tiny feet enrich the earth and make the grass grow greener. (There is a vvery mundane and completely unmagical explanation for this at Plantanswers.)



There are also places in the meadow, and, oddly, in the median of the interstate where toadstools grow in circles--also called fairy rings. The fairies, so some people say, live under these toadstools. I've looked but never seen any, but then I didn't have my glasses on so they may have been there.


Fairies can be a force to reckon with--the beautiful ballad of Tam Lin certainly illustrates that. Many plants have fairy superstitions attached to them. According to The Land of Faery :

Foxglove--the name supposedly is a derivative of "Little Folks' Glove, and it is believed that fairies wear the florets as hats or mittens.

Primroses can make the invisible visible. Eating primroses may help you see the fairies.

Ragwort is sometimes used as a horse by the fairyfolk.

Thyme was part of a recipe for a brew to make one see the fairies.

Cowslips are loved and protected by the fairies. They help one to find hidden fairy gold.

Pansies were used in a love potion by Oberon, a fairy king.

Many people connect clover with fairies. If you wear a four-leaf clover, for example, you are supposed to be able to see the fairies. You can use the four-leaf variety to break a fairy spell.

St. John's Wort--if you step on it a fairy horse may rear up and carry you away to who-knows-where. What does St. John's wort look like? See the flower photo at the top of the page (from Wikipedia).

There are so many good books and websites about fairies and magical creatures. I compiled this list for a children's program so it includes craft books:

The Hidden Folk: Stories of Fairies, Dwarves, Selkies, and other Hidden Beings by Lise Lunge-Larsen
Boston : Houghton Mifflin, 2004.

Meeting the Other Crowd: The Fairy Stories of Hidden Ireland by Edmund Lenihan
New York : Jeremy P. Tarcher/Putnam, c2003.

Fairy Crafts: 23 Enchanting Toys, Gifts, Costumes and Party Decorations by Heidi Boyd
Cincinnati, Ohio : North Light Books, c2003.

Swan Sister: Fairy Stories Retold by Ellen Datlow
New York : Simon & Schuster Books For Young Readers, 2003.

Twelve Fabulously Funny Fairy Tale Plays by Justin McCory Martin
New York : Scholastic Professional Books, c2002.

The Book of Wizard Parties: in Which the Wizard Shares the Secrets of Creating Enchanted Gatherings By Janice Eaton Kilby
New York : Lark Books : Distributed in Canada by Sterling Pub., c2002.

A First Book of Fairy Tales by Mary Hoffman
New York : DK Publishing, 2001

An Encyclopedia of Fairies: Hobgoblins, Brownies, Bogies and Other Supernatural Creatures by Katharine M. Briggs
New York : Pantheon Books, c1976.

The Broonie, Silkies, and Fairies: A Traveler’s Tales of the Otherworld by Duncan Williamson
New York : Harmony Books, 1987, c1985.

Crafts from Your Favorite Fairy Tales by Kathy Ross
Brookfield, Conn. : Millbrook Press, c1997.

And some websites:

Fairies, Fairies, Fairies--lists poems, stories, lore and more.

eFairies.com is an alphabetical listing of fairy names from legends and stories.

ArtPassion includes many beautiful artworks featuring fairies.


From Encyclopedia Mythica comes a possible source for the word "Fairy".


And at Quotegarden, a whole page of fairy quotes, including this one:

The fairy poet takes a sheet
Of moonbeam, silver white;
His ink is dew from daisies sweet,
His pen a point of light.
Joyce Kilmer

Friday, January 18, 2008

Gifting the Fairy: Adaptation of a Welsh Tale


Once in the days when everyone knew that the fair folk lived in the land, there was a fairy who was in the habit of helping a family every evening by putting the children to bed.

“Shh! Shhh. Shhhh…go to sleep, little ones. Go to sleep. I’ll sprinkle fairy dust on your eyelids and soon you’ll be asleep.”

She would sing them fairy songs until they were fast asleep. What does a fairy song sound like? Perhaps she sang it like this…. (hummm)


Poor fairy, her clothes were in rags, but she never seemed to notice. Every night the children would stay awake til she came, and every night the fairy would fly through their open window and settle on their bedpillows.

“How are you?” she would ask. And “Are you ready to go to sleep now?” And she would sing to them, soft and low and sweet.

Their mother happened to walk by the bedroom in her slippers one night, and I suppose the fairy did not hear her because she didn’t hide, she only sat their singing to the little children, whose eyes were drifting shut. The mother felt sorry for the fairy, in her poor ragged dress.

So one night she left a silken gown on the bedpillow for the fairy to thank her for all her help. But fairies do not like rewards.

“What’s this? What’s this? It must be your mother doesn’t want me to come anymore. She should know, as all folks know, that fairy folk don’t accept gifts.”

The very next day the fairy was gone, and the gown was found out by the fence, torn to bits and trompled by tiny fairy feet.

The children missed their friend, and you know, I think the fairy missed them too. They were old enough by now to go to sleep by themselves, though, and each night they would sing each other to sleep. And each night they would dream of their friend, the fairy who sprinkled the fairy dust on their eyelids as they drifted off to sleep.

I've had this story in my files for several years, with no note as to the source except "Welsh tale." If you know the source for this story, please let me know. It's a charming tale.

For many more Welsh fairy tales that are in the public domain, the Welsh Fairy Book is online, with lovely pen-and-ink illustrations.

Then there is The Fairy Mythology, also available online at Sacred Texts. It's incredible that so many of the old collections of stories are now available to us online. It's like finding treasure each time I discover another book that someone has graciously put out there for the rest of us to enjoy.

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