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Showing posts with label spring flowers. Show all posts
Showing posts with label spring flowers. Show all posts

Friday, April 27, 2018

Violets: Stories, History, and More

What can you make with two spears of asparagus and one morel mushroom? Not much you might think. But add some violet flowers leaves, some chives, some dandelion leaves, some thyme, some chopped tomatoes and grated cheese, and some eggs--and there's an omelet fit for a king.

That was our lunch yesterday. I sauteed the mushroom and asparagus, added the greens and herbs and cooked only long enough for the greens to wilt. Then beat the eggs, sprayed a skillet with olive oil and when it was hot, poured in the eggs. Added the rest of the ingredients, flipped one half over the other, flipped again, and omelet! It was so good. Larry got out the ketchup but I must have looked shocked because he put it back. A wise man.


I picked enough of the wild violets for a little bouquet for one of the milk glass pitchers I keep just for this use--and began thinking about violets. What do I know about this plant, I wondered--especially the uses of it, its history, and the folklore and superstitions about it?

As for uses: I've made violet jelly, and have to say it's not worth ruining so many pretty flowers. It takes a lot of them to make the jelly, and while it's a very pretty color, it doesn't have a flavor distinctive enough to warrant the use in this way. Far better to put them in a vase and enjoy them, in my opinion.

You can sprinkle the flowers over a salad. They add a nice, almost citrus-y flavor, somewhat like that of redbuds. Add the raw leaves to the salad too, for more green goodness. Today was the first time I tried cooking the green leaves in any way, and I must say they were  excellent, milder than spinach in my opinion. According to my reading, violets are a good source of vitamin C. One book suggested making a soup from the roots; the nodules resemble tiny root crops in a way, so I suppose one could gather enough of them for soup. I don't think I'll ever try it though.

Violets can be used to make syrup, or can be sugared and used as decoration, a nice edible trim!  In the past, poultices and other medicinal uses were made of the plant, including treatment of ulcers, as a pain relief tonic and more.

 If you're interested in more ways to use violets, check out The Nerdy Housewife.

According to the old book, The Language of Flowers, blue violets mean faithfulness; sweet violets mean modesty, and yellow violets mean rural happiness.

Because of its deep purple color, the Romans considered the violet the flower of mourning, which means that the connection between the color and sadness goes back a long way indeed.

In Greek mythology, Zeus fell in love with the nymph Io. To hide her from his wife Hera, Zues changed Io into a white heifer. Poor Io, suddenly confronted with having to eat grass! She appealed to Zeus, who took pity on her and changed her into the violet. Another version of the story is that Hera is the one who changed Io into the heifer, which sounds quite likely to me, because a jealous wife is a force to be reckoned with. In the Greek language, Io means violet.


The French have a special place for violets in their history too. The supporters of Napoleon Bonaparte chose the violet as their symbol, as Napoleon reportedly said he would return from Elba when the violets bloom--and he kept that promise.

Antoine Vollon [Public domain or Public domain], via Wikimedia Commons


The violet seemed to have strong significance for Shakespeare, as he often referred to them in his writing:

From A Midsummer Night's Dream:

"I know a bank whereon the wild thyme blows,
 Where oxlips and the nodding violet grows,
 Quite over-canopied with luscious woodbine,
 With sweet musk-roses and with eglantine.
 There sleeps Titania, some time of the night,
 Lull'd in these flowers with dances and delight."

And Sonnet 99:

The forward violet thus did I chide:
Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love's breath? The purple pride
Which on thy soft cheek for complexion dwells
In my love's veins thou hast too grossly dyed.
The lily I condemned for thy hand,
And buds of marjoram had stol'n thy hair:
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red nor white, had stol'n of both
And to his robbery had annex'd thy breath;
But, for his theft, in pride of all his growth
A vengeful canker eat him up to death.
   More flowers I noted, yet I none could see
   But sweet or colour it had stol'n from thee.

Shakespeare wasn't alone in his love for the sweet violet; check Bartleby's for many other quotes about this little flower. The frequent referral to the scent of the violet makes me wonder if earlier humans had a stronger sense of smell than we do, for while I think the violets are sweet-smelling, many poems refer to their perfume as something quite heady.

In the United States, violets are so well thought of that they are the state flower of Illinois, Wisconsin, New Jersey and Rhode Island.

But what of superstitions about this shy little flower? In Wales, it was once believed that to take less than a full handful of violets into the house of a farmer would spell death to his poultry.

A couple of pretty plates in my collection.

Dreaming of violets is considered good luck; to find out if a sick man will recover, place a bruised violet on his forefinger. If he sleeps well, he will recover; if not, well...see the Romans' belief about the flower above.

Violets have been used in herbal concoctions of all sorts, and are believed to aid in healing mouth and throat cancers, fevers and headaches, sore or chapped skin, and for inflammation. Many beauty preparations, from perfumes and colognes to bath salts and more, have been made with this little spring flower.

In my yard I have some white violets, some bi-colored, and the usual blue (I'd call them purple) ones. On Joe's Run I have found yellow violets and some stemmed ones with multiple flowers on one stem. What kinds grow where you live?

Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Monday, March 12, 2018

Spring Flowers and a Kobold Tale




The daffodils are having a hard time this year. They've had snow on them more times than I can count on both hands, and some of them had their stems frozen, so they were lying on the ground, poor things.

Here's what it looked like this morning when I looked out just before dawn:


It was not supposed to be more than a flurry or two, but ended up being more like 2 inches.

But the flowers continue to bloom, and to raise their heads each morning. A lesson for us all, I think. And by afternoon, the snow was nearly gone.



My little patch of crocus is also struggling along. I have hesitated to rake out the flower beds because the weather remains so uncertain--this week we will mostly be in the 20's and 30's.



So the spring flowers can't look their best, surrounded as they are with winter's detritus. But they are doing what they can to add spots of color and hope to the continuing winter landscapes of this fickle month.



I picked some of the fallen soldiers and brought them inside to enjoy. I added green food coloring to one vase, in hopes of having green-edged flowers in the morning. We shall see. I remember doing this as a child, and I remember the thrill of the result. I believe we did some with red and blue, too.



And of course I had to decide where in the house to put them. One vase will remain on the table in the kitchen because I love having flowers in my kitchen. The other I moved from here



to here, where I believe it will stay. For the time being anyway.


The daffodil plate (by Homer Laughlin) moved too.



Messing about with flowers always relaxes me and leaves me smiling. Whatever the aggravations of the day, flowers can peel them away. Today I was organizing files, preparing to start my income tax forms--both tasks I dread. So taking a break to stroll in the yard and pick some flowers lightened my frame of mind considerably.

by Willy Pogany, from wikipedia
I'll end today's post with an old tale from Germany about the flowers of spring. This story, Kathchen and the Kobold, was originally published in 1913 by Margaret Arndt in her book Fairy Tales from the German Forests. (A kobold is a kind of fairy, or sprite, that is found in German folklore. Sometimes they are kind, sometimes mischievious.)


Half-way up the long steep hill that leads from Soden to Königstein, a rough road branches off to the left, plunging suddenly into a valley, and passing through the little village of Altenhain. As you walk down this steep rocky incline, the Taunus Mountains rise up grand and high in ever-changing panorama.

At the bottom of the hill lies Altenhain, an ordinary enough Taunus village, save for the beautiful shrine that stands on the high road. There a Crucifix hangs between two enormous poplar trees, one of the most beautiful natural altars in the world. The trees are tall and pointed like church spires, the trunks venerable with age. May the lightning spare these grand old trees, and the winds play gently through their boughs!

In this village lived a schoolmaster with his wife and family consisting of a daughter, twelve years old, and a baby boy. They were not really poor; for, besides their income, they had a piece of land to grow potatoes and vegetables; also a strip of vineyard and fine strawberry fields on the Dachberg, the produce of which they sold in Frankfurt for a good price. Moreover, they kept pigs and chickens and geese, and two dear little goats that gave them milk.

On a fine September day Käthchen (that was the daughter's name) was on the Dachberg, helping her parents to gather up the potatoes for the winter. Two sacks stood already full, looking from a distance like funny old peasants. Käthe liked to watch the potato fires that are lit to burn the refuse of the plants, smouldering and crackling in the dry autumn air, and the smoke curling up in the clear sky.

It was now about five o'clock, and as she had worked all day, she was tired and began to groan and grumble. So her mother said: "Hurry up and go home now, child, before it gets dark. Fetch the baby (the neighbours had taken charge of it for the day), light the fire, put on the kettle, and peel and boil the potatoes for supper."

Käthe was only too glad to be let off; her tiredness soon vanished as she flew down the steep, grassy slope of the Dachberg, slipping and tumbling every minute. The sun was low, and glowed through the pines and larches, which stand here together, making a wonderful contrast.

Käthe found her way across the wet emerald field coloured with patches of exquisite lilac from the autumn crocuses growing there in thousands, hanging out their cheeky little orange tongues. She sang and shouted for joy, and a feeling half sadness, half exhilaration, that comes to us often at the twilight, came over her. She wore a little red skirt and loose cotton blouse, and a tidy pinafore put on in order to cover her soiled frock on the way home. Her hair was ash blonde, and braided in two plaits round her head. Her eyes were dark and deep-set, and were a strange contrast to her hair. She passed over the tiny bridge where the brook crosses the field, and gathered a bunch of wild flowers, meadowsweet and harebells, water forget-me-nots and ragged robin, and made a pretty nosegay. She also picked a graceful spray of hops, the leaves slightly tinged with red, and wound it in and out of her hair. She had forgotten the baby and the supper and all the things for which she was responsible, and was just a little maiden living in her own enchanted land.

Now the path wound close by the pine woods, and the air seemed to grow chillier and more solemn. She saw great white clouds resting on the Dachberg above her. She seemed so far away, down in this valley and so alone. But she knew that her father and mother were near, probably watching her from the hill-top; it was silly to be frightened, she knew the way so well.

Suddenly something sprang out of the bushes on to the path in front of her. She gave a great jump, but then so did he and she saw that it was only an old green frog. He cheered her up at once, and she began to poke at him with a stick and to sing:

"The frog sits in the rushes,
The funny fat old man,
 And sings his evening ditties
As sweetly as he can,
Quark—Quark—Quark."

But as suddenly as he had appeared on the scene, the frog vanished again with a leap and a bound into the dark waters of the little brook that ran along by the side of the way.

Then she heard a rustling of the bushes and saw a little red squirrel peering at her with his bright, inquisitive eyes. Round and round the tree-trunk he went, enjoying himself thoroughly, and making fun of Käthchen, playing peep-bo like a baby.

The sun glowed through the tree trunks. It must be about six o'clock. "I must hurry up or supper will not be ready when my father and mother come home," she thought.

She then became aware of the sound of footsteps coming towards her along the path.

"Probably a peasant from Altenhain," she thought, and was pleased to think of meeting a friend. But the footsteps sounded strange and light, more like the pattering of raindrops through leaves, and then for a moment, she turned giddy; it seemed to her as if the trees were really rushing past her, as they seem to do when we look at them out of a railway carriage. One of the young oak trees seemed to be running towards her down the path; but as she looked more closely, and her head became steadier, she saw that it was a boy a little older than herself, who came running towards her, and very queer he looked.

He had a great mass of brown curly hair tumbling about his head; green ears—it seemed to her, could it be possible? No, it must be that he had stuck oak leaves into his curly locks for ornament, pretty oak leaves tinged with soft red. Moreover he had the bluest and strangest eyes she had ever seen. They shone like wonderful jewels at one moment, and then turned dull and opaque and looked almost dead. He had on rough green trousers, and a white shirt with yellow embroidered braces; his feet were bare and very brown. When he saw Käthe, he gave a wild kind of Indian whoop, and danced round and round her, much to the poor child's dismay, his eyes flashing all sorts of colours. Her heart beat fast, but not a word or sound would come out of her mouth.

The boy then made a deep bow, and took her by the hand. Soon he had his long arms round her waist and was trying to kiss her.

Käthe began to cry with fear and indignation, "You rude, naughty boy," she said, "I will tell my mother of you."

The imp seemed much surprised, caught one of her tears on his finger, held it up to the light and then sucked it, making funny faces all the time. Käthe could not help laughing, and then she dried her tears with a corner of her apron. She sat down on a tree-trunk for a moment and tried to think.

Immediately the boy sat by her, and begged her to give him a kiss. He looked quite nice and pretty for the moment, and Käthe thought she had better do as he wished, or he might begin his antics again. So she gave him a motherly kiss, just as she would give to her baby brother, smack! on the cheek. Immediately the queer look went out of his eyes, and a more human expression took its place.

"Käthe," he said, "Käthe, I am but a lonely little imp of the forest, but I love you, Käthe, and I want you to marry me, and live with me always, and be my own little wife. Will you, O will you? O do, do, do," he said, dancing up and down in wild excitement.

"O goodness gracious me, you are certainly quite crazy," said Käthe, "I will tell my mother of you!" She began to cry again, and smacked him whenever he tried to come near her.

Then he seized her by the hand and dragged her after him into the wild woods, till they were lost in the forest.

"O dear, O dear, whatever shall I do? what will mother say when she finds no Käthe, no supper, and no baby. Boo-o-o-o!"

"Never mind," said our imp consolingly, "you can't help it now, you have run away with me you see."

"I didn't, indeed I didn't," interrupted Käthe indignantly.

"I will send a moonshine Käthchen to take your place for the night. You are fond of dreaming, aren't you?"

"O yes, mother often calls me 'Träum Lies' (Dreaming Liese)."

"Well then, it's all right, she will not notice anything, and you and I will have fine times together. If you won't marry me, at least, we can get engaged you know, that will be fine fun."

"Hum——" said Käthe, "that would be amusing. We might play at being engaged! that would not matter."

"Have you a gold ring for me?"

"O we will go and buy one at the flower shop," said he.

"At the flower shop, that is a funny place to buy rings at," said Käthe.

"Buttercups and dandelions melted to a yellow heat make splendid fairy gold," he replied.

"Ah, then you really are a fairy!" said the little girl.

"Why of course, did you think I was a human child like you? What did they teach you at school?"

"Reading, writing and arithmetic, history and geography and scripture and sewing," said Käthe.

"But not how to know a fairy when you see one, O my stars!" said our hero.

"What is the good of learning
To read and write and sew,
 To count and do addition
If fairies you don't know?

 How do you know a fairy?
O by his glittering eye,
 And by his light, light footsteps
You know when he goes by.

 O what are school and lessons,
My little maiden, pray,
 If to the land of fairy
They do not show the way?"
So he sang, and Käthchen thought to herself: "I've always suspected that we did not learn everything at school."

By this time her little head was completely turned; she thought no more of supper or mother or baby, but only wondered with round eyes what would happen next.

The moon shone brilliantly through the branches, and she noticed that the trees began to move, and some of them quickly changed places.

"Have you ever seen the trees dance?" said our hero. We will call him Green Ears; for I had forgotten to say that being a tree-imp, his ears were shaped like oak leaves, and were green tinged with pinky red. It was peculiar of course, but not so very noticeable on account of his thick curly hair. He was able to move them if anything startled him, to prick up his ears in very truth; then you saw that they really belonged to him.

The trees did not wait for Käthe to reply; they formed themselves in long avenues and began a stately dance, something like a quadrille.

A soft fairy music was played by an invisible band. Squirrels sprang at intervals from one tree to another, spreading out their bushy tails and uttering strange cries like new-born babies.

Birds flew in and out singing and keeping time to the music and rhythm of the dance. It was a strange sight, grotesque yet beautiful; the trees took half human forms and faces; it was funny to see how they joined hands (or branches) from time to time in the dance. After they had watched for some time and the sport had become monotonous, Green Ears took Käthe to the top of the hill, and there they saw the beautiful peaked mountain called the Rossert, bathed in the moonlight.

"Well, children, enjoying yourselves on this fine night, I hope?" said a woman of tall and commanding presence. "Will you come home and have supper with me? I am sure Green Ears has forgotten to offer you anything to eat."

Here she chucked him under his pointed chin.

The two children, fairy and human, turned and followed her, they felt that she was a person of authority and must be obeyed. Her fair hair fell in waving masses almost to her feet, it was covered with soft feathers, as if she had recently been filling feather beds.

The children saw a lighted cottage before them, with red roof and black-beamed walls like so many in the Taunus. A strong smell of honeysuckle was wafted towards them.

"This is my wood cottage, it is quite close to the Rossert, as you see. Some people call me the wood-woman, others Frau Holle," she said. "The Old King (the mountain called Altkönig) is my brother; Olle (slang in German for old) or Holle, it is all the same, we are all relations in the Taunus, you must know!"

In front of the house was a dear little garden. The moonlight shone brightly on the flower-beds. The fairies were awake and peeped out with the greatest interest as the children entered.

Over the door was written in letters made of light, like those beautiful advertisements of beer and chocolate which so adorn the city of London by night:

THIS WAY TO FAIRYLAND.
Käthe felt that she was learning more in one night than in all her life before of that strange dream-world on the borders of which we live.

The house was so neat and tidy, that it looked as if it had just been spring-cleaned; the windows stood wide open, the moonlight streamed in. A little table was laid for supper.

Frau Holle invited them to sit down and they did so at once.

Green Ears sat opposite to Käthe staring at her with a wistful expression of adoration and love in his eyes.

A chocolate pudding with cream and sugar and a bilberry jelly stood on the table, also rolls which were thickly buttered and spread with various kinds of fairy sausage purely vegetarian in character. Mugs of delicious-looking milk were ready for each child.

But the supper reminded Käthe of her home and she felt a little uneasy.

However she had at the bottom of all a comfortable feeling that all was right. This is the way with many of our self-imposed troubles, big people's as well as little people's. We groan and grumble, and express our views that everything is very wrong, and the world is soon going to the dogs, but at the bottom of all, we know that it is all right, and that all things work together for good.

Green Ears began to fidget; he was like a little girl I know, and could not sit still for more than one minute.

"Frau Holle," he said, "Frau Holle, Gracious Lady, we want to get engaged."

Frau Holle burst out laughing: "A mortal child and a Kobold of the forest! nonsense, it's impossible!"

Käthchen lifted up her brown eyes. "We might play at it," she said. "It would be a beautiful game."

Frau Holle chuckled so much at this that she nearly upset the milk jug.

"How do people get engaged?" said Käthe. "I have often thought about it, but I never could imagine how they do it?"

"Didn't they teach you that at school either?" said Green Ears. "My stars! What did they teach you at school?"

"Children," said the wood-woman, "children, do you mean it?"

"Certainly," said Green Ears.

"I think so," said Käthe.

"Do you wish to buy rings?"

"O yes," decidedly from both children.

"Now listen; there is a passage from my house leading to the shops, most convenient I assure you," said Frau Holle. "Everything delivered punctually on the premises within one minute of purchasing it. No lifts or motor-cars necessary. You see I know the ways of the world." So saying she opened the back door, and they passed into a lane lighted by many lamp-posts. These lamp-posts gave a very bright light and had queer faces like the man in the moon. They grinned and winked as Green Ears and Käthchen went by.

It was a lovely fair; a fair in fairyland you may imagine how gorgeous that must be!

There were stalls on which lay all sorts of tempting things, cakes, sweet and toys. Käthe felt sorry that she had no money.

At the flower stall they paused; the flowers were exquisitely arranged, and out of each peeped a little Fee.

In big gold letters was written:

CONDENSED FLOWERS FOR SALE.
As Green Ears asked boldly for engagement rings, a fairy who stood behind the stall, handed him two little gold rings made to fit any finger; they were a new patent and self-adapting, the fairy said.

Green Ears was so pleased that he turned head over heels again and again for joy, a funny proceeding for a would-be husband.

"Do you know how to get engaged," he said to the fairy.

"Why no, not exactly, but I have heard it is very simple," said she. "Mother Holle (here she made a deep curtsy), Mother Holle knows all about it."

Käthe looked out of the corner of her eyes at her lover, and wished he would behave with more dignity. Now he was cramming his mouth with sweeties.

"Aren't you going to give me any?" she said.

"O my stars!" he said again, surprised; it had never struck him. Imps are usually egoists; that is to say they think first of themselves. There are exceptions, but this is the rule.

He went rapidly from stall to stall and returned with his arms full of parcels done up in pink paper which he presented to Käthchen with a low bow. She accepted them with much delight and they fell to munching chocolate together; it was a real bond of union, and they were not the first sweethearts who discovered it.

They reached the end of the street and suddenly found themselves alone once more on the slopes of the Altenhainer Thal or Valley.

Green Ears sat down by Käthchen, and squeezed himself up closely to her.

"Give me your pretty little hand," he said. "Do you know which is the right finger?"

"O yes!" Käthchen knew that quite well, though I have heard that it is a disputed point in Germany.

She stuck out her little hard-worked fingers, and he put the gold ring on the third finger of the left hand. It fitted exactly and with a cry of joy Käthchen put the other on his long brown finger.

Then both the children laughed and clapped their hands, and danced merrily about. "Now we are engaged," they cried, "really engaged to be married!"

They made such a noise that the squirrels were cross and threw sticks at them for disturbing their early-morning sleep.

Then, goodness knows why—let us call it reaction—Käthe began to cry again, great, big drops.

Green Ears was much puzzled.

"You are clever, now I can't do that," he said. "You must stay with me always, and live with me in the woods, and be my own little sweetheart."

"O no," said Käthe, "I should never be allowed to do that; I must go to school every day, and then I have my exercises to do, and to help mother with the housework; the baby to mind; and—O I am always so busy."

"I will come and help you," said Green Ears.

"But you can't, you are not real, you know," said Käthe and began to cry again.

"Käthchen," said Green Ears, and he looked quite serious and thinky all at once. "Listen to me. I will go to the Old King; he is the ruler of all the fairies here, and I will beg him to teach me how to become human. It may be years before we meet again, for the way into your world is very hard for me to find. Yes it is easier for you to find the way into our world, than for us to enter yours; but cheer up, I will dare it and do it for your sake! but O sweetheart wait for me; O wait for me!"

"Wait for me, my little sweetheart,
Till I come to you again,
 Win the world for you, my sweetheart,
With its joy and with its pain.

 Wait for me, my little sweetheart,
For when falling on the ground
 I beheld those curious dewdrops
To your heart my heart was bound.

 All my fairy life is nothing,
All my fairy joy I give,
 Just to hold your hands, my sweetheart,
In your world with you to live.

 Wait for me, my little sweetheart:
I will find the way to you,
 As a grown man I will seek you,
Seek and find you ever true."
So singing they walked arm in arm through the long winding valley, till the dawn approached like a golden bird opening its great wings to fly.

Käthchen reached her cottage door. All was silent within. "Good-bye," she said, and their eyes met in one last farewell.

"Auf Wiedersehen!" said Green Ears (that pretty German farewell greeting which means so much more than good-bye), and then he stole back down the stony street, kissing his hands again and again to the little girl.

In some strange way Käthchen passed through the door of her little cottage; she had become for the time incorporeal; through the touch of a fairy her body and soul had become loose, that is to say, and she was able to enter the house as silently as a person in a dream. She went through the kitchen and up the steep wooden stairs. It seemed to her as if her feet did not touch the ground, she floated rather than walked. She reached her own little attic, and saw the room as if it were a picture, the square window-frame, the branches of the trees outside, the old pictures on the walls that she was so fond of.

But what was her surprise to see herself curled up asleep in her big wooden bed!

The horror of it made her faint, and she remembered no more until she found herself in her own bed under her own big feather sack. In order that she should not forget her night's adventures, or think it was all merely a dream, she found a ring of yellow grass wound tightly round her third finger. From that hour, though the ring fell to pieces, the mark of it was clearly to be seen on her finger. It was a fairy ring, you see.

Her mother apparently had not missed her, and the baby was as jolly as ever.

"What was the matter with you last night, Käthe?" said her mother. "You were dreamier than ever; not a word could we get out of you. You must have been tired out, you poor child!"

"But everything was all right, wasn't it, mother, the potatoes were boiled and the supper ready?"

"Why of course you managed very nicely. Now hurry up and let us have breakfast."

Now I feel sure that all the children who read this story will want to know what happened to Käthchen and Green Ears later on.

Did he really come back to visit her as a grown man?

Did they marry and live happy ever after?

Had he green ears as a mortal?

But alas the fairies who told me this story, have left these questions unanswered, at all events for the present, so I can only guess at the conclusion.

I think myself that Green Ears was pretty sure to succeed in his quest, because if you want a thing intensely enough, you can usually get it.

They would make a rather funny married couple, that is true, and we will hope that Green Ears did not turn head over heels on his marriage day.

But the fairies assure me that the trials necessary to pass through in order to become a mortal, have a very sobering effect on the character, and so we can think of Green Ears as quite different, though still fascinating and charming.

I would have liked to be present at their wedding, wouldn't you?

"O joy when on this solid earth
 Is heard the sound of fairy mirth!
 O joy, when under earthly things
 Is heard the sound of fairy wings,
 When the impossible is true,
 When I come back and marry you!"


Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Friday, February 16, 2018

Thinking of Spring and Daffodils

 (Note: all photos are from years past--no flowers yet this year!)


I noticed in the gardens yesterday that the green tips of daffodils were beginning to show through the mulch. Last year by this time, they were up so far they were almost ready to bloom, far too early. This year we seem to be back on a reasonable schedule for Spring, and I am already looking forward to flowers and green. How about you?

Daffodils are one of my favorite flowers, right there with violets and roses. I bet I am not alone-these brave early bloomers bring brightness to the landscape after the soft grays and whites (and recently brown, as in mud) of winter. They have, in many cultures, been considered lucky, and will reward you with good fortune if you avoid stepping on them and crushing them. I wonder if my dogs would listen if I told them that.



Some people believe that daffodils growing in the wild indicate the past location of a former church or other religious site. I can see where this comes from, since daffodils were frequently planted on graves, and they naturalize easily. A Christian legend says that daffodils appeared in the Garden of Gethsemane after the Last Supper; my husband calls them Easter Flowers, and perhaps that name arises from this legend--or is it just because the daffodils are usually in bloom on Easter? The Egyptians used daffodils in funeral wreaths and Roman soldiers carried them in case of their death--presumably to grow on their graves, I would guess.

How often do you see wild daffodils and notice foundations stones or a crumbling house or barn? For me they certainly seem to indicate the site of some form of human habitation, living or dead. The bulbs might also wash out in floods and scatter along creeks and rivers, and there is no prettier sight in my book than yellow flowers bobbing along the banks and mingling with tree roots and wildflowers.



The daffodil is poisonous, however--all of its parts, but most particularly the bulbs. I remember a lady calling me a few years ago to ask if she could make jelly from them; some quick research delivered a very decided "No" in answer to her question. I don't think I would even use them as decoration on food, either, even though they would be so pretty on a cake or a salad. No sense taking chances. In Greek mythology, the Furies wore them in their hair and used them against their enemies--the name daffodil derives from a Greek word meaning narcotic, so you can imagine how the Furies might have employed them as a weapon. One of the effects of daffodil poisoning is convulsions and stupor, not something any enemy would enjoy.

Most people know the story of Narcissus, the Greek lad whose name was given to the two-flowered member of the daffodil family. He admired his reflection in a pool of water so long that he fell in love with himself and pined away from unrequited love. The gods took pity on him and turned him into a flower, the narcissus.


In Wales, the daffodil has become a national symbol, right up there with the red dragon although not nearly as ancient in that role. Apparently its importance as a symbol began when David Lloyd George, a Welshman, served as Britain's Prime Minister. He wore one as a bouttoniere and was a strong supporter of the flower--which is grown today in Wales to produce galantamine, a drug used to treat Alzheimer's Disease.

A few superstitions associated with daffodils:


*Never bring in just one bloom, bring a bunch. Otherwise you will see penury and hard luck throughout the year.

*Never pick daffodils before the first chicks hatch or you will have no hatchlings. And if you pick just one, your hens will hatch only one chick.

*A daffodils whose nodding head is turned toward you is not good. As in this old quote from the Encyclopedia of Superstitions, Folklore, and the Occult Sciences by Cora Linn Daniels and C.M. Stevans:

"When a daffodil I see,
Hanging down her hear toward me,
Guess I may what I must be!
First I shall decline my head,
Secondly I shall be dead,
Lastly, safely buried."

Let's not leave each other on that somber note!

The Daffodil Fairy

I’m everyone’s darling: the blackbird and starling
Are shouting about me from blossoming boughs;
For I, the Lent Lily, the Daffy-down-dilly,
Have heard through the country the call to arouse.
The orchards are ringing with voices a-singing
The praise of my petticoat, praise of my gown;
The children are playing, and hark! they are saying
That Daffy-down-dilly is come up to town!

By Cicely Mary Barker from her book, Complete Book of the Flower Fairies,  published in 1923.

You might also like: Daffodil: The Remarkable Story or the World's Most Popular Spring Flower by Noel Kingsbury and Jo Whitworth.
Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Thursday, May 4, 2017

On the Road Again, and a Few Photos from the Gardens

I've had a long lovely break, but today I am back on the road again, storytelling and writing.

First, a storytelling performance in an Ohio River town for a school's family night--Appalachian tales, my favorite!

Then tomorrow I will be heading to the mountains for a weekend poetry retreat with friends. I am really looking forward to this, although I feel like the least talented of this group. It will make me stretch, right?

So see you later! But before I go, I took a walkabout in the flower gardens yesterday. Here's how things are looking now:

The first roses are opening. I cut most them back so may not get as many early blooms, but they look better.


My favorite flowerbed! This one was a long time coming into its own.

This peach tree is in the flowerbed. It looks lie we might have peaches this year!



A tiny cherry tree is sprouting in this bed. We've had several volunteers here, since I am careful to put all pits in here, under the mulch.





The big cracked bell planter.


This bed gives me fits. It's infested with bindweed, a vine that is impossible to get rid of.


The knockout roses, coming along.


More volunteers--the asparagus likes to come up wherever it pleases.


Weigelia is almost finished. It was so pretty this year, and the bees loved it.


Mr. and Mrs. Chickadee live here! Right beside the front porch.




Getting there. Still more planting to do, when I get home. But for now, it's coming along pretty well.

Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Saturday, April 23, 2016

In the Gardens

Earth Day meant garden day for us. We spent the morning getting plants, and the afternoon getting them in the ground. It was such pleasure!

I started filling my containers with new dirt and flowers. The container collection seems to be growing, and you know, I'm okay with that. They're easier to care for weed-free, and require little or no bending! I put most of my annuals into pots and planters nowadays, and I don't even remember when that transition started.

Along the walk, I haven't done anything yet except enjoy the show by daffodils and tulips. The tulips are almost done now but are still adding a bit of color to what would otherwise be a green garden. I am hoping the tulips will come back next year. We don't have much luck with them usually, but I added lime, bone meal and blood meal to the soil this year so maybe that will help. They also got a good dose of wood ash.


A new, heavy concrete planter I found at a thrift store for $10. There are two of them, actually. I really like the concrete planters for they way they hold moisture, so important on our dry hill.


Peas, radishes, beets, and onions are coming along in the early garden.


And so are are cabbages, broccoli and lettuce in the upper garden. We put a row of green beans in last week but they're not up quite yet.


The poot clematis took a hit with that late freeze a couple weeks ago.


Still left to plant, but I rain out of potting soil so these will wait until I get back to town.


The real gardener around here, doing what he does best. He planted tomatoes yesterday. It's early, but we're taking the chance anyway.


Garden visitor: a towhee perched in the dogwood to watch me work,


and later brought his mate by to say hello. I think they may be nesting in our shrubs.


Larry wasn't too happy with me for punching holes in the bottom of these old coffee cans to use them as planters! He uses them all the time for watering plants and filling birdfeeders but I could just see them with geraniums...and now I don't have to pick them up from all over the yard :) The man is such a scatterer! Win-win for me. I gave him a scoop and a watering can, but I bet he finds more old cans to use instead!



Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.

Monday, April 4, 2016

Spring Flowers: Violets and (shhh) Store-Bought

I can't help it. I love fresh flowers in the house. If I don't have enough in bloom to fill my vases, I scout the mark-down flowers at the grocery store. I am quite happy to pay a couple dollars for blooms to brighten my days.

Right now our little wild violets are in bloom. I keep some small milk glass pitchers just for this time of year and for the violets. Is anything so pretty as their purple faces against white?


I have made jelly with violets before, but this year I am content to just enjoy their simple beauty.

I did some changing-up in the log room, just bringing a lighter springtime feel to the room with a milk glass lamp, the violets and other touches.


 I changed out the twig lamp that was on this table for another milk glass lamp. The nice thing about buying and selling is that I always have a variety of lamps and other decor items to choose from! I might use them for a little while, then put them in a booth and try something else. The milk glass heart, which I believe is quite old, probably early 1900's, is a keeper though.


The daffodils have faded away and although I plant them every year, there are never enough tulips to pick--I think the chipmunks (Larry calls them ground squirrels) dig them up and eat the bulbs. I have not given up, and here and there are a few blossoms, but I will never have the bounteous beds my mother had. But the grocery store had some nice carnations marked down and they look nice in milk glass too.

I even put a small vase in the bathroom--love that dark pink against the blue. I actually bought rose-colored towels and deep turquoise ones for the bathroom when we finished redecorating in there earlier this year.


The ever-changing kitchen windowsill got some carnations too,


and so did the kitchen table. Recently Country Living magazine featured milk glass in an article, and I hope that inspires more people to use and collect it. The clean whiteness of it is just so pretty, and yet little vintage vases like these can often be picked up for a dollar or less. Under-appreciated, in my opinion!


I still have the Hazel Atlas amethyst and milk glass punch bowl on display. It's for sale but I'm not in a hurry to sell it really. The baby's breath in the vase is left over from last month's flowers--they dry just beautifully.


No flowers or milk glass in this last photo, just a quick look at another change-up in the log room, taking off the red tablecloth and red and amber glass, and adding a pale yellow damask cloth and some other light color touches.

It was fun to make some changes. The house feels brighter and fresher. I did some spring-cleaning while I was at it, getting ready for the coming of warm weather and being outdoors with not as much time to clean. Of course, the forecast for this week is for more cold, possibly freezing temperatures and maybe even snow. I say begone winter! It's time to move on out and let us enjoy the beauty of April as it should be.

Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.
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