When you are as short as I am clothes never fit right. I am
constantly hemming pants, shirts, jackets, skirts and dresses. Sometimes I get
right to work on them. I mean, what woman can live without a pair of good black
pants? Other things end up in the closet waiting until I finally get around to
fixing them. That wait can be a long one, since other more interesting jobs
seem to get higher priority on my list.
I do sewing repairs by hand, using the sewing box that once
belonged to my mother. My father made it for her; he was a master woodworker
and liked to make useful things. This box is fitted with a removable tray that
holds thread, thimbles, scissors and other items. Two ends of the tray are
lined in deep amber velvet, and the inside of the lid is padded and lined with
the same fabric. Most of the contents were in the box when I got it after my
mother passed away; some of the thread has been around so long it is on wood
spools.
Sewing always kindles memories. I learned to sew when I was six
or seven years old. We hemmed hankies, I remember, my sister Judy and I
carefully trying to make tiny stitches according to instructions from our
English granny, who was visiting at the time. Those hankies became birthday
gifts for our mother; their crooked hems and uneven stitches disappeared in her
happy praise of our handiwork. Later Judy and I would learn to use the sewing
machine and made many of our clothes when we were in high school. In a family
of thirteen children, new clothes were unheard of but we could make new outfits
inexpensively.
When I got married I made my wedding dress of satin and
brocade, and we made the bridesmaids dresses too. The beautiful amber velvet in
the sewing box was leftover fabric from a different wedding—my sister Judy
chose the rich fabric for my maid of honor dress for her wedding. In my first
little house, I hand-stitched curtains for all the windows because I could not
afford a sewing machine. And when we moved to West Virginia, I continued to
hand-stitch curtains, tea towels, and even blouses.
Today I own two sewing machines that I never use. I bought
them last year, thinking that since I was retired I would do more sewing. That
hasn’t happened, yet. When something needs to be fixed, I get out the sewing kit,
find a comfortable chair by a lamp, and sink into the peaceful repetition of
needle through cloth.
There is something restful about sewing by hand. There is no
noise of an electric motor, no high-speed needle thrusting purposefully through
cloth in record time. It is slow, careful work. My stitches are more even these
days even if I can barely see to thread the needle. I feel content to work inch
by inch along the seams, stitching together not only cloth but memories of many
past hours spent doing this simple, basic task.
Copyright Susanna Holstein. All rights reserved. No Republication or Redistribution Allowed without attribution to Susanna Holstein.
I'd love to browse thru your (and your Mama's) sewing box as I used to rummage through my Mama's and my Gramma's. I love old wooden spools and cards of rickrack and 1930s buttons. I have my G. MIL's wooden spools on which she wound embroidery thread. her thimble and other Coats & Clarks spools. Thanks for some memories.
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